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The increasing insignificance of the camera in contemporary art
- DA 419
Prethero, Mark James, 1988-
The increasing insignificance of the camera in contemporary art [rukopis] / Mark James Prethero. -- 2012. -- 48 l. : barev. il. + 1 CD-ROM. -- Ved. práce Zdena Kolečková. -- Chybí LS. -- Abstract: Since the digitalisation of the photograph it has without a doubt been taken to a much wider audience, with more photographs been made everyday than ever before. As the technology of cameras and software has grown it has brought with it many changes of how the photograph is perceived, raising debates about whether its still valid to see it as "truthful" medium as it was once called in the earlier days. The medium has been opened to a huge range of post-production and manipulation possibilities, so much in fact creative potential of the digital image is getting closer and closer to those of painters.. -- Abstract: Since the digitalisation of the photograph it has without a doubt been taken to a much wider audience, with more photographs been made everyday than ever before. As the technology of cameras and software has grown it has brought with it many changes of how the photograph is perceived, raising debates about whether its still valid to see it as "truthful" medium as it was once called in the earlier days. The medium has been opened to a huge range of post-production and manipulation possibilities, so much in fact creative potential of the digital image is getting closer and closer to those of painters.
Kolečková, Zdena, 1969-. Univerzita J.E. Purkyně v Ústí nad Labem. Studio of photography
umělecká fotografie. fotoaparáty. contemporary photography. insignifacance of camera. post-production. manipulation. digital image. painting. figurative photography. diplomové práce
77.04. 681.772.2. 771.31. (043)378.2
Number of the records: 1